Pride and Prejudice - Les carnets de lecture de l’Arbre à Bafouilles

Langue : English

Publié 3 novembre 2003

ISBN :: 978-0-14-143951-8

(1 critique)

Pride and Prejudice is an 1813 novel of manners by Jane Austen. The novel follows the character development of Elizabeth Bennet, the dynamic protagonist of the book who learns about the repercussions of hasty judgments and comes to appreciate the difference between superficial goodness and actual goodness. Mr. Bennet, owner of the Longbourn estate in Hertfordshire, has five daughters, but his property is entailed and can only be passed to a male heir. His wife also lacks an inheritance, so his family faces becoming poor upon his death. Thus, it is imperative that at least one of the daughters marries well to support the others, which is a motivation that drives the plot. Pride and Prejudice has consistently appeared near the top of lists of "most-loved books" among literary scholars and the reading public. It has become one of the most popular novels in English literature, with over 20 million …

Pride and Prejudice is an 1813 novel of manners by Jane Austen. The novel follows the character development of Elizabeth Bennet, the dynamic protagonist of the book who learns about the repercussions of hasty judgments and comes to appreciate the difference between superficial goodness and actual goodness. Mr. Bennet, owner of the Longbourn estate in Hertfordshire, has five daughters, but his property is entailed and can only be passed to a male heir. His wife also lacks an inheritance, so his family faces becoming poor upon his death. Thus, it is imperative that at least one of the daughters marries well to support the others, which is a motivation that drives the plot. Pride and Prejudice has consistently appeared near the top of lists of "most-loved books" among literary scholars and the reading public. It has become one of the most popular novels in English literature, with over 20 million copies sold, and has inspired many derivatives in modern literature. For more than a century, dramatic adaptations, reprints, unofficial sequels, films, and TV versions of Pride and Prejudice have portrayed the memorable characters and themes of the novel, reaching mass audiences.

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Keno Goertz a publié une critique de Pride and Prejudice par Jane Austen

Review of 'Pride and Prejudice' on 'Goodreads'

1 étoile

I finished this in agony. The dialogue is witty at times, but always at such a boring, inconsequential level. Most of the conversation is about how agreeable or disagreeable this or that person is, and while Austen tries to address this superficiality with the character of Mr. Darcy, his character arc is extremely superficial in its own way. Actually, this dickhead very predictably turns out to be a very kind, lovely and agreeable man once you get to know him.

The characters are boring. Mr. Darcy makes the very predictable transformation from total dickhead to precious darling in basically the snap of a finger. Elizabeth's only character trait seems being a smart-ass. Jane is a gullible fool. Mr. Collins is ugly and disagreeable. All Mrs. Bennet ever worries about is marrying her daughters. And Mr. Bennet doesn't ever give a shit about anything, except his daughter Lydia being …

I finished this in agony. The dialogue is witty at times, but always at such a boring, inconsequential level. Most of the conversation is about how agreeable or disagreeable this or that person is, and while Austen tries to address this superficiality with the character of Mr. Darcy, his character arc is extremely superficial in its own way. Actually, this dickhead very predictably turns out to be a very kind, lovely and agreeable man once you get to know him.

The characters are boring. Mr. Darcy makes the very predictable transformation from total dickhead to precious darling in basically the snap of a finger. Elizabeth's only character trait seems being a smart-ass. Jane is a gullible fool. Mr. Collins is ugly and disagreeable. All Mrs. Bennet ever worries about is marrying her daughters. And Mr. Bennet doesn't ever give a shit about anything, except his daughter Lydia being a slut (at least the novel wants you to look at her like that). In fact, Lydia is perhaps the most interesting character of all, but the epilogue clearly shows that we're supposed to hate her for not marrying rich and trying to obtain money from her sisters who did better on that end.

If the one-dimensionality of the characters is supposed to be for the purposes of satire, well then Austen forgot to make it funny.